Burn Down the Patriarchy

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Hello, and welcome back to Glee
on the Rocks.

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I'm f.
I'm Emily.

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And I'm Mandy, and we are going
over episode 21 Funk, which is

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it premiered June 1st 2010.
And here's a little little

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background for everybody.
The new directions, get some

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news that sure to Rattle a few
nerves as Jessie st.

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James returns to vocal
adrenaline, which shakes, Rachel

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vocal adrenaline, intimidates.
New directions by decorating

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their choir room.
With toilet papers, leaving them

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in a, funk of vacation will
motivates the Glee Club to

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perform Funk numbers, as that is
what vocal adrenaline's main

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weakness.
Meanwhile, Quinn connects with

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her funky side.
With a Little Help from Mercedes

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and soup begins to have a crush
on someone.

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She always calls an enemy Jesse
and Rachel's relationship goes.

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Even further down in the dumps
and we'll and Terry finalized

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their divorce.
This episode was directed by

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elodie keen and written by Ian
Brennan do lat.

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Happens here.
Guys.

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That.
That was a lot.

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Yeah, it's definitely one of
those episodes that has a

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overabundance of plot lines.
Yeah, and I don't know if it's

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like, they kind of go.
Oh, shit.

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We need to.
We need to, like, we've been

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pulling these these threads
along and all of a sudden, now,

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we need to, I need to, you know,
tie some of them up or, you

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know, move some of the long.
So we're with exactly what we

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don't like about like them
going.

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Wow, we didn't realize we had
this many.

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A loose ends.
Mmm.

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All right.
That many Loose Ends plus a new

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thread of Sue.
Having a crush on.

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Will I put the fuck?
Yeah I mean like if it had been

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a hated it no totally.
I mean it's I mean I'd hate it.

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I feel like it's their track.
Ultimately they I feel like they

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would kind of put themselves in
a corner and this was an attempt

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or this was, you know, a way for
them to get out of that corner

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of one, we need to make sue look
vulnerable, and and she can't be

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too terrible.
So we're trying to, you know,

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add and you know, things that
make her seem more personable

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while also Because Sue's
technically the enemy, she can't

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always win.
So it's like they're trying to

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come back with like technically,
the end of the day, we'll is

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supposed to be the one that
went.

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The Glee Club is supposed to be
the one that wins so, you know.

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So even though it's painful to
watch what you like, but you

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know, you've literally remove
does not make sense.

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And like I, I'm not saying there
isn't a world in which I could,

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I would have shift Will and Sue
I went there, there's a world in

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which that's a pretty easy
enemies.

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Two lovers Trope that they could
have done.

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Right?
No it's not gonna happen.

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Yeah they're writing the right
now just to wake us.

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I've got a will sue thick coming
your way that is The Darkest

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Timeline.
It's time for it.

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I've been holding on to it for
six years and I'm ready to let

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it by you know, it's It's a
Trope that exists and I've loved

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it across, all fandoms.
And there's an argument to be

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made that they could have done
it for a character like Sue and

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a character like will where
they're battling it out and I

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don't have to explain it like
you know, how this is gonna go

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but that's that's not the show
and that's not ever woken happen

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and this fucking one episode
crash is just tired.

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And that's the other thing is
that it's sort of, this doesn't

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make sense but let's Let's say
that we want it to make sense.

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It's like we don't, but let's
for the sake of argument go.

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Okay, this is the thing that's
going to happen.

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How do we make it work?
Glee does these things where

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they put, they put stuff in an
entire episode.

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So instead of having Sue's Crush
come or like, they're being like

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threads of it through other
episodes, and maybe she realized

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fully realizes it this episode.
No, it's sort of like, it's up

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and real and then like it does
the whole Arc in one episode and

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so that doesn't feel realistic.
So I feel like, yeah, even if

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they wanted to go know, we
really want to make this happen,

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you could have, if you had
pulled it out a little bit

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further and teased more of the
hate is closer to love than, you

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know, indifference, you know,
kind of way if you had pulled

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and play with that way or Or
maybe you could have made this

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work, but some shit.
Yeah, I mean, Sue really is

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obsessed with the Glee club and
you could make that because she

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is into will, but that's not.
Why?

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That's, that's a road that,
again, in our, on our list of

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things Glee could have done.
It's a road, they could have

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taken and they didn't.
But in this one episode, they

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brought it up.
They did it, and they put it

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away like Okay, shit.
It's also, it's funny because

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it's like, Sue was like the one,
the one like adult woman in the

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show, he hadn't tried to, like,
sleep with, I know.

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And now it's just like, God damn
it.

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Had to make the full rounds.
The full monty slutty shoe, it's

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that, it's that not a euphemism
for my, I don't know any case

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heyguys.
It's gross, and I prefer not to

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not Think about it and
especially prefer not to watch

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or read.
Imagine tell me something good.

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What song will you try to seduce
Sue in?

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This is It's just To be fair.
I when watching this, I wonder,

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and I have some other questions
from from other episodes that

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come up.
I go.

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Is this weird or do?
I hate shoe so much that my

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weirded out.
Miss is like bias, it sounds.

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I mean, I think trying to
humiliate someone using sex and

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they're in a crush against them
is pretty gross, no matter who

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it is.
Well, I agree.

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But like this, this whole thing
bothers me to the point of,

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like, I can't watch it.
I don't want to touch it.

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However, if this was like, let's
say, Sebastian and Kurt or like,

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yeah, I'm just I'm trying to
come up with other like, you

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like hate, or if we had like a
Blaine and Kurt, you know, where

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they were enemies.
And then doing this, what I hate

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it as much.
No, no, it's mostly because it's

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well, I mean, he definitely
something distasteful to every

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story line is you could be like
working at a soup kitchen on

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Christmas.
A wait they do that still wrong

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and still I will be angry at it.
Spoiler alert, it's not, it's

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it's not fun.
It's not a, I don't know why.

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This was something they decided
to do.

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I don't know of other than
trying to other than giving Sue

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some additional ammo for going
after the Glee Club and trying

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to make her seem more
vulnerable.

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I don't really know what this
Broad and I'll be honest, I

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would have preferred, they
figure out how to do that.

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Any other way?
Yeah.

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Yeah, didn't didn't need it
didn't add to anything.

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And on a happier note though,
Yes, Terry is finally free.

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Terry is 3 Will Schuester.
So can we all give me all this

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raise a nice little glass of
whatever it is.

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You're drinking today for very
drinking cold, brew fabulous,

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Happy Divorce day, terribly
divorced thing before you go, be

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free, be free.
I personally, I feel like she

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should go further than like,
sheets and things.

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And I feel like she should,
like, leave town.

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Yes, like completely.
But this, this is, this is the

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first step in the right
direction.

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And me, she even she even helps
out, you know, Puck and fin.

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Which I go back and forth
between going.

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This is weird, and that's nice
and I say this is weird because

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I know like, gliese, how they
are, how they always use,

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underage, sexual, motifs,
throughout their show.

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So it's always like, it's not
there, but also, I always want

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them like butter, because I
don't always know with Glee.

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So I go back and forth between
gay for EA for Terry for, you

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know, helping people out then.
Also, our is there something

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else going on here?
That I should be more worried

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about.
I don't know.

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That's all it's hard to know.
I think anytime, Sandy Ryerson

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shows up your kind of like,
something's not right here.

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Exactly.
Yeah.

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And that is a good point.
Can we can we talk about how he

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is still around.
He has not been like arrested or

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exactly kept away from from
small children.

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Yeah, yeah, I honestly don't
know why.

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Sandy Ryerson, has more lines
than half of the Glee Club.

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I don't get it.
I don't know why the writers

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continue to think that this is
funny and were doing no me

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either.
It's definitely one of their

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more questionable.
Like I want to say humor, but

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like, in quotation marks because
they played Sandy Ryerson, like,

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past the point of like a quick
laughs.

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Hmm.
For very About what he did and

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then very serious about him like
being a character who comes back

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multiple times.
Yeah, it's just gross, yeah.

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Glad we're all in agreement on
the grievant that we should not

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have the a pedophile still
around and making jokes and

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just, you know, working at
Sheets and things like it's no

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big deal.
I will I will however say I do

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find the name, sheets and things
hilarious.

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That is one of their better
puns.

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Yeah.
Yeah.

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I really, it's dumb.
But I think it's hilarious.

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I also really like The Loser
Song sounded weird.

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I like how they did lose her, I
felt like half the time.

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I couldn't watch it but like, I
still liked the arrangement.

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I'll leave it at that.
That's enough.

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That's fine.
So my other my other I got a

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storyline.
That I was watching for with

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this one going, I'll go into the
what I find to be most confusing

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but also, when I like the mouse
being Quinn, so it's like we had

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a lot of her than we didn't have
as much of her then hey, quit.

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And by the way, of case, you
forgot Quinn's character that we

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have and the show that's why I
sort of college debt with us but

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I like what they like, what they
did with her this episode and I

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liked her that I've wanted to
just felt.

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So I don't know like, forced or
I'm not sure how I felt about

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it.
I mean, I can see, I can see the

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idea of it being forced.
I do like I did find the Quinn

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Mercedes kind of thing kind of
random.

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00:13:10,200 --> 00:13:13,400
It was random but they also
appreciated Mercedes being like,

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oh right, one of my supposed
friends and fellow glee club

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members is in trouble and needs
a place to live.

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I can step up like that was
nice.

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00:13:23,800 --> 00:13:25,900
Shouldn't have to do that,
although it's never mentioned

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00:13:25,900 --> 00:13:28,200
again.
As far as yeah, it's the same

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00:13:28,200 --> 00:13:32,900
thing that earlier with who and
shoe in that like it's like they

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00:13:32,900 --> 00:13:36,200
come up with these things that
really should have been like.

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00:13:37,100 --> 00:13:40,900
Full if not full season, at
least had some build up to it

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00:13:41,400 --> 00:13:43,200
and could have worked really
well.

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00:13:43,200 --> 00:13:45,600
Like yeah, didn't think maybe
that is my problem with it.

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It was too fast.
It was like, yeah, it's too fast

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and then like disappears after
the episode in to be in to be

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quite honest.
I don't I guess the thing I did

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like about it was I really liked
it's a man's man's man's world

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00:14:02,500 --> 00:14:04,700
but I think my hands are man's
man's man's.

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00:14:07,300 --> 00:14:10,600
It's a it's a dude's world.
It's a lot of dudes world's.

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00:14:10,600 --> 00:14:13,300
It's all of them.
All the dudes, it's their world.

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I'll do two worlds.
Yes, that's exactly.

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That's the song pretty good
title.

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I'd like to the the idea behind
it.

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Bringing in, you know, the unwed
mothers and to know we're

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invisible and nobody sees us.
But it also would have been nice

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to have.
Had a guess, be a thing that you

222
00:14:35,900 --> 00:14:41,200
also see and previous episodes
that maybe you see Quinn having

223
00:14:41,200 --> 00:14:44,800
to deal with this and not just
have her all of a sudden talk

224
00:14:44,800 --> 00:14:47,900
about it.
Maybe them omitting her from a

225
00:14:47,908 --> 00:14:49,700
lot of storylines was their way
of saying it.

226
00:14:49,700 --> 00:14:51,800
I'm not going to go that far and
think that they actually did

227
00:14:51,800 --> 00:14:56,200
that but I think having a get it
as we always say, it would've

228
00:14:56,200 --> 00:15:00,300
been nice to have, had it more
than just this episode and like

229
00:15:00,300 --> 00:15:02,900
where did all those pregnant
teenagers come from?

230
00:15:03,200 --> 00:15:07,200
And they also like they all at
McKinley which case holy shit

231
00:15:07,500 --> 00:15:10,200
because you know, Quinn was
talking about feeling alone and

232
00:15:10,200 --> 00:15:13,500
feeling that no one else
understood her plate.

233
00:15:13,500 --> 00:15:16,600
But apparently there's no 16
other pregnant women in the

234
00:15:16,600 --> 00:15:18,700
school.
The same way were already and

235
00:15:18,700 --> 00:15:21,500
other disabled students like
apparently, they're there.

236
00:15:21,500 --> 00:15:24,200
The rest of the school just It
doesn't give a fuck about him,

237
00:15:24,600 --> 00:15:28,100
but also it makes you kind of
Wonder like, what is your sex

238
00:15:28,100 --> 00:15:30,600
education?
Look like, is it just the

239
00:15:30,600 --> 00:15:32,600
pamphlets?
Well, I got a little bit.

240
00:15:34,000 --> 00:15:36,200
I should say something, I guess
it's not going.

241
00:15:36,200 --> 00:15:39,300
Well, yeah, concerning the
celibacy Club was, you know,

242
00:15:39,800 --> 00:15:43,200
nothing but serious?
Yeah, I also did we, when did we

243
00:15:43,200 --> 00:15:45,700
find out that Quinn is living
with cock?

244
00:15:46,100 --> 00:15:52,000
Did we know that I didn't?
I made a note saying, is this

245
00:15:52,000 --> 00:15:54,300
something I knew I forgot.
Okay.

246
00:15:54,600 --> 00:15:57,000
I don't know if I like
purposefully have been like,

247
00:15:57,000 --> 00:16:01,300
just not listening to anything
Puck related, but like she said

248
00:16:01,300 --> 00:16:02,600
that and I was like, wait you
are?

249
00:16:02,900 --> 00:16:05,800
When did that happen?
If they mentioned that she was

250
00:16:05,800 --> 00:16:07,800
still living with Huck?
I don't remember it.

251
00:16:08,300 --> 00:16:10,500
I'm gonna go with a didn't
mention it because why would

252
00:16:10,500 --> 00:16:16,400
they please?
So we have, we have the vocal

253
00:16:16,400 --> 00:16:23,200
adrenaline storyline which is
the whole reason for the Title

254
00:16:23,200 --> 00:16:30,000
of the episode for trying to get
Glee out of there Funk after you

255
00:16:30,008 --> 00:16:32,200
know what vocal adrenaline does
to them?

256
00:16:32,800 --> 00:16:35,300
Does to Rachel, does to
everybody?

257
00:16:36,300 --> 00:16:40,500
Yeah, because tp'ing of choir
room is such a travesty more

258
00:16:40,500 --> 00:16:44,000
living, a lie.
I think I think the thing that's

259
00:16:44,000 --> 00:16:49,500
more demoralizing is watching
vocal adrenaline and and And I'm

260
00:16:49,500 --> 00:16:53,700
do another one bites the dust
because that's demoralizing.

261
00:16:53,900 --> 00:16:58,300
They're really good.
I actually think the Another One

262
00:16:58,300 --> 00:17:02,200
Bites the Dust is better than
what they do in regionals.

263
00:17:02,500 --> 00:17:04,599
Oh I agree.
I definitely agree.

264
00:17:04,599 --> 00:17:08,300
I think it's a lot of fun and
it's got its got that kind of

265
00:17:08,300 --> 00:17:10,500
it's a little bit of anger to it
which gives it a little bit more

266
00:17:10,500 --> 00:17:15,300
intensity, which makes sense.
But yeah, I think I would have

267
00:17:15,500 --> 00:17:18,200
would have definitely preferred
that as there.

268
00:17:18,599 --> 00:17:22,900
Common space.
I will say kudos to, to Glee for

269
00:17:22,900 --> 00:17:27,700
at least having a big bad that
went through an entire entire

270
00:17:28,700 --> 00:17:31,300
season, and not just bringing
vocal adrenaline.

271
00:17:31,300 --> 00:17:35,000
And at the end which is
something I think you get kudos

272
00:17:35,000 --> 00:17:38,900
for that, which I feel like is,
you know, show running 101 but

273
00:17:39,500 --> 00:17:41,400
would that have happened without
Edina.

274
00:17:43,800 --> 00:17:47,700
They just needed a reason to
have her constantly rig hearing

275
00:17:47,900 --> 00:17:51,200
probably.
And then the other everything

276
00:17:51,200 --> 00:17:54,200
and then we go from.
So they go through, you know,

277
00:17:54,700 --> 00:17:58,700
getting Haka fide or or
whatever, whatever term, I

278
00:17:58,708 --> 00:18:01,700
forgot the term.
They used Hulk a vacation

279
00:18:01,700 --> 00:18:04,700
because that's a word after
after listening to vocal

280
00:18:04,700 --> 00:18:10,500
adrenaline and then all the way
through the end to, you know, to

281
00:18:10,500 --> 00:18:14,100
Rachel's egging.
Which I should not enjoy as

282
00:18:14,100 --> 00:18:16,000
much.
It's so childish that it's

283
00:18:16,000 --> 00:18:17,300
funny.
It's funny.

284
00:18:17,700 --> 00:18:22,100
It's It's ridiculous because
it's just so over-the-top.

285
00:18:22,100 --> 00:18:24,400
And that's exactly something.
That would happen to somebody's

286
00:18:24,400 --> 00:18:29,200
over top over the top as she is
as Rachel is, but also I just

287
00:18:29,300 --> 00:18:33,700
liked that, Jesse, admits that
he truly did love her like,

288
00:18:33,700 --> 00:18:36,700
yeah.
It's like, yeah, because this is

289
00:18:36,700 --> 00:18:39,900
the ship that we stand for fair
enough, Glenn.

290
00:18:39,900 --> 00:18:43,900
It's also really good luck that
they get that considering things

291
00:18:43,900 --> 00:18:47,100
that happen later on.
That would have been a weird

292
00:18:47,100 --> 00:18:50,600
setup for The last time I saw
you, you agree.

293
00:18:50,600 --> 00:18:56,500
And that was that it was it was
very convenient and well, well

294
00:18:56,500 --> 00:18:59,800
done.
But then, then we go into give

295
00:18:59,800 --> 00:19:04,100
up the funk, which I both love.
And and it's like, what are

296
00:19:04,108 --> 00:19:06,700
your, what are your thoughts on
their final performance?

297
00:19:06,800 --> 00:19:10,600
For this episode, like it's
fine.

298
00:19:10,600 --> 00:19:14,800
It's a dumb funny performance.
I just don't take it seriously.

299
00:19:15,400 --> 00:19:20,900
It didn't really impress me or
Stand out to me but it was fine

300
00:19:21,200 --> 00:19:29,100
like in this hat.
It's outfits where we're lovelyz

301
00:19:29,800 --> 00:19:33,600
episode, but the thing that I
find interesting, it was a fun.

302
00:19:34,200 --> 00:19:37,300
Number, didn't understand how
Quinn was dancing, but whatever.

303
00:19:38,700 --> 00:19:43,900
They do this song and it's a she
was like more pregnant in this

304
00:19:43,900 --> 00:19:46,000
episode than she is the next
one.

305
00:19:46,800 --> 00:19:50,300
And this was technically
supposed to be before

306
00:19:50,500 --> 00:19:53,200
theatricality it is yeah.
So go figure.

307
00:19:55,400 --> 00:20:00,500
But yeah, they did this number
to try to intimidate vocal

308
00:20:00,500 --> 00:20:02,600
adrenaline, or to get back at
them.

309
00:20:02,800 --> 00:20:06,000
Vocal adrenaline is, is
intimidated by their, by their

310
00:20:06,000 --> 00:20:08,800
song.
And to me it seemed a lot more

311
00:20:08,800 --> 00:20:11,500
like, hey, or just going to give
up and dance and have fun and

312
00:20:11,500 --> 00:20:15,100
sing this song, which I enjoyed.
But at the same time ago, but

313
00:20:15,100 --> 00:20:18,600
this isn't intimidating like
this isn't like, oh my God, this

314
00:20:18,600 --> 00:20:23,800
is an amazing piece so any no
sense but then also both will

315
00:20:23,800 --> 00:20:26,600
dry on saying, oh my God.
The only way that we can be

316
00:20:26,600 --> 00:20:30,400
beaten is with funk because we
have no soul.

317
00:20:30,900 --> 00:20:34,300
I was like, oh, you literally
made a point that how to beat

318
00:20:34,300 --> 00:20:36,400
vocal adrenaline is the same
Funk songs.

319
00:20:37,500 --> 00:20:39,400
I'm going to say hashtag
spoiler, guess what?

320
00:20:39,400 --> 00:20:41,700
They don't sing Next To You Next
Episode.

321
00:20:41,800 --> 00:20:44,300
Yeah, there's not a single Funk
song to my found in there

322
00:20:44,300 --> 00:20:47,200
regionals, just FYI.
Like literally they said, this

323
00:20:47,200 --> 00:20:49,600
is how this is, how we would be
beaten and then they decide not

324
00:20:49,600 --> 00:20:52,100
to do that.
So I found that to be like,

325
00:20:52,100 --> 00:20:57,500
okay, that's a wrap.
Hey, they do the opposite much.

326
00:20:57,500 --> 00:20:59,200
Pretty much exactly.
They're like, hey, that's the

327
00:20:59,200 --> 00:21:00,400
way to win.
Let's not do that.

328
00:21:00,800 --> 00:21:02,800
Oh, you know, Shooters, not the
smartest.

329
00:21:04,200 --> 00:21:07,800
Well, so here's, here's a
question for you broke.

330
00:21:07,800 --> 00:21:15,800
If you guys how well did this
episode do for encapsulating

331
00:21:15,900 --> 00:21:21,600
this week's lesson as mr.
Shute as a encapsulating or be

332
00:21:22,400 --> 00:21:27,400
hassling funk, Well so isn't the
theme of the episode or the yeah

333
00:21:27,400 --> 00:21:29,800
the episode really about
regrets.

334
00:21:30,100 --> 00:21:33,900
Yes that's really what they're
talking about and they're the

335
00:21:33,900 --> 00:21:37,700
the different things that we
regret in life and like nobody

336
00:21:37,700 --> 00:21:41,900
sings my way which seems like
such a missed opportunity.

337
00:21:42,000 --> 00:21:44,400
But is that really a funk song?
No.

338
00:21:44,400 --> 00:21:47,000
But that's the thing is like
none of these Funk songs, really

339
00:21:47,000 --> 00:21:52,400
talk about regret like the
Musical theme of the episode

340
00:21:52,400 --> 00:21:57,300
does not correspond with.
The attic theme of the episode

341
00:21:57,700 --> 00:22:01,100
which then kind of goes to, what
do you, what do you think of?

342
00:22:01,500 --> 00:22:04,500
Also, they're talking about
vocal adrenaline, not having any

343
00:22:04,500 --> 00:22:07,900
soul and they're not doing soul
songs, they're doing Funk songs.

344
00:22:07,900 --> 00:22:12,000
Like they just, they don't
nothing matches Funk and soul or

345
00:22:12,000 --> 00:22:15,800
two different musical genres.
Vocal adrenaline knows, they

346
00:22:15,800 --> 00:22:19,800
can't knows they can be be
because they have no soul, but

347
00:22:19,800 --> 00:22:23,300
they're not singing, soul songs,
but Schuster is talking about

348
00:22:23,300 --> 00:22:25,400
regret.
They're singing Funk like it,

349
00:22:25,400 --> 00:22:28,400
just that they don't match.
I don't like that.

350
00:22:28,400 --> 00:22:31,300
Do you think it was lazy writing
or like they just had a set

351
00:22:31,300 --> 00:22:34,500
number of songs and they wanted
to do those songs, no matter

352
00:22:34,700 --> 00:22:38,000
what else is going on.
I think the writers just didn't

353
00:22:38,000 --> 00:22:41,600
quite realize, what they were
writing like, I think I think in

354
00:22:41,600 --> 00:22:44,900
their minds, they were thinking
punk songs.

355
00:22:45,000 --> 00:22:51,400
Funk is great, Funk is groovy
the ultimate ons, like vocal

356
00:22:51,400 --> 00:22:54,700
adrenaline, can't possibly his
hip and cool, and Whatever is

357
00:22:54,700 --> 00:23:00,700
are mostly white Glee Club but
but the words they put out they

358
00:23:00,700 --> 00:23:05,000
put in the characters mouths or
really more about regrets and

359
00:23:05,700 --> 00:23:09,000
the choices that we make and
they just didn't like the

360
00:23:09,000 --> 00:23:11,300
writing on the Whiteboard and
the writers room that doesn't

361
00:23:11,300 --> 00:23:13,500
actually exist was one thing,
but what they were typing on the

362
00:23:13,508 --> 00:23:15,000
page with something totally
else.

363
00:23:15,100 --> 00:23:16,600
Totally different doesn't really
matter.

364
00:23:16,600 --> 00:23:19,300
I just think it could have been
more cohesive as an episode.

365
00:23:20,000 --> 00:23:22,700
I'm sorry.
I was literally just pulling up

366
00:23:23,200 --> 00:23:26,700
the best Songs of all-time from
billboard.

367
00:23:27,800 --> 00:23:30,900
Just because out of curiosity to
see how many of the songs did

368
00:23:30,900 --> 00:23:35,400
they actually use that they used
in the show were actually fun

369
00:23:35,400 --> 00:23:40,700
songs and I mean they didn't do
Stevie Wonder and they didn't do

370
00:23:40,700 --> 00:23:43,300
Kool and the Gang.
So like what does it matter

371
00:23:44,300 --> 00:23:49,000
written?
So they did do give up the funk

372
00:23:49,600 --> 00:23:52,200
and stick but they didn't do
super freak right?

373
00:23:52,400 --> 00:23:55,600
Pick up the pieces.
Juicy Fruit Brick House.

374
00:23:55,900 --> 00:24:00,000
Stevie Wonder cool, huh?
Fun Earth.

375
00:24:00,000 --> 00:24:01,800
Wind & Fire.
Michael Jackson.

376
00:24:03,700 --> 00:24:09,300
So young Michael's, funky funky
town which I feel like this is

377
00:24:09,300 --> 00:24:12,200
something that they would have
enjoyed because literally its it

378
00:24:12,200 --> 00:24:14,400
has the word in the name that's
feels like a thing that you guys

379
00:24:14,400 --> 00:24:16,500
would do now.
I mean obviously maybe they

380
00:24:16,500 --> 00:24:19,100
didn't maybe they wanted to do
some of these and they couldn't

381
00:24:19,100 --> 00:24:24,000
because you know reasons And in
licensing.

382
00:24:24,000 --> 00:24:28,000
But yeah, it's also I don't know
that I would consider it's a

383
00:24:28,000 --> 00:24:30,600
man's man's man's world to be
funk.

384
00:24:31,000 --> 00:24:35,700
That's definitely, you know,
reading more into the soul

385
00:24:35,700 --> 00:24:40,000
category, which I realize
there's some overlap but And

386
00:24:40,000 --> 00:24:43,300
then as a white person, I
totally have the authority to

387
00:24:43,300 --> 00:24:45,200
speak on this.
WOW.

388
00:24:45,300 --> 00:24:47,700
Hmm.
That was I was sarcasm.

389
00:24:48,300 --> 00:24:50,300
I don't know.
To me to me it's a man's world

390
00:24:50,300 --> 00:24:52,000
feels more like soul.
I agree.

391
00:24:52,700 --> 00:24:58,600
I very much agree in which case
then Schuster says Good

392
00:24:58,600 --> 00:25:03,300
Vibrations is not Funk so then
you literally have tell me

393
00:25:03,300 --> 00:25:05,100
something good and give up the
funk.

394
00:25:05,100 --> 00:25:09,000
Are they to Funk songs?
They had this episode?

395
00:25:09,100 --> 00:25:12,100
And when they had sex, I mean
that's pretty much just like the

396
00:25:12,100 --> 00:25:15,200
Lady Gaga episode with too many
Gaga's office.

397
00:25:15,400 --> 00:25:18,700
In which case it's like why why
do you even bother doing one?

398
00:25:18,700 --> 00:25:21,100
Why do you do a thing?
Well because you don't even

399
00:25:21,100 --> 00:25:23,700
stick to it being, you don't
even understand your theme.

400
00:25:24,200 --> 00:25:27,200
And yeah, I think on the whole I
would I would agree with you

401
00:25:27,200 --> 00:25:29,900
that this Punk doesn't.
They went with funk?

402
00:25:29,900 --> 00:25:32,200
Just because, I think they
wanted something that did have

403
00:25:32,200 --> 00:25:34,200
soul.
And that there you can do a play

404
00:25:34,200 --> 00:25:37,000
on words if they're in a funk
and they didn't think further

405
00:25:37,000 --> 00:25:37,800
than that.
Yeah.

406
00:25:39,100 --> 00:25:42,000
I was surprised.
No, not at all.

407
00:25:43,300 --> 00:25:46,500
I think this episode confirm to
me that I don't, particularly

408
00:25:46,500 --> 00:25:51,100
like funk music and I feel like
I was kind of biased against

409
00:25:51,100 --> 00:25:54,100
liking any of the phone choices
so much that I didn't.

410
00:25:54,400 --> 00:25:57,500
It didn't actually occur to me
that most of the songs weren't

411
00:25:57,800 --> 00:26:01,200
actually, that's fair.
Basically, I'm saying like I

412
00:26:01,200 --> 00:26:03,500
don't think I think about the
music quite as much as you do

413
00:26:03,700 --> 00:26:07,700
which is surprising to me most
of the music they did on the

414
00:26:07,700 --> 00:26:09,900
show were things I had I'd never
heard before.

415
00:26:09,900 --> 00:26:12,400
I watched the episode, just in
general, not specifically in

416
00:26:12,400 --> 00:26:15,200
this episode.
Yeah, I mean and I think it's

417
00:26:15,200 --> 00:26:18,800
interesting that later episodes
really start to rely much more

418
00:26:18,800 --> 00:26:23,500
on current top hits.
Yeah, rather than songs that

419
00:26:23,500 --> 00:26:27,900
necessarily were attempting to
be cohesive like this episode

420
00:26:27,900 --> 00:26:31,000
uses songs that somebody thought
were Funk songs.

421
00:26:31,300 --> 00:26:34,900
Yeah, and Some white guys out
front.

422
00:26:34,900 --> 00:26:40,300
So some white guy, the network
was like these are Funk sure

423
00:26:40,300 --> 00:26:45,800
Todd but later Seasons
especially you know, in Seasons.

424
00:26:46,300 --> 00:26:52,700
I want to say after three and
really even season 32 are using

425
00:26:52,700 --> 00:26:56,800
songs that are just on the radio
to sell more record unless it's

426
00:26:56,800 --> 00:26:59,600
a themed episode, right?
Like the Saturday Night, Live

427
00:26:59,600 --> 00:27:03,300
for Saturday Night Live but
Saturday Night Fever episode And

428
00:27:03,300 --> 00:27:08,100
the all the tribute episodes are
all themed.

429
00:27:09,300 --> 00:27:12,000
I also wonder.
Okay, part of it would make

430
00:27:12,000 --> 00:27:17,400
sense that okay there.
There were there covering songs

431
00:27:17,400 --> 00:27:21,600
that are already on the radio
for for selling records but

432
00:27:21,600 --> 00:27:24,100
that's also going to cost more
money than to do something

433
00:27:24,100 --> 00:27:27,800
that's older because they're
going to be competing with some

434
00:27:27,800 --> 00:27:32,600
of that, literally just released
one so mathura on that.

435
00:27:32,800 --> 00:27:40,200
Is less cell records more.
It feels like a stroke to

436
00:27:40,200 --> 00:27:43,600
somebody's ego to be able to say
that like so many people that

437
00:27:43,600 --> 00:27:47,300
are that are so popular.
Want to bleed to be able to

438
00:27:47,300 --> 00:27:48,600
come.
I mean I guess it would be a

439
00:27:48,608 --> 00:27:52,600
matter of digging into the deals
made because it's like on one

440
00:27:52,600 --> 00:27:57,600
hands in Glee was super popular.
If if you're an emerging artist

441
00:27:58,000 --> 00:28:02,600
and the Glee people come to you
and say we want to cover your

442
00:28:02,700 --> 00:28:06,500
Song, you're going to get this
percentage of the royalties or a

443
00:28:06,500 --> 00:28:10,400
flat fee, that'll win Glee was
popular.

444
00:28:10,400 --> 00:28:15,000
That probably boosted, the radio
spins for that song.

445
00:28:15,100 --> 00:28:17,600
I'll selling their own record.
I'm telling you I can work for

446
00:28:17,600 --> 00:28:20,600
like I feel like they can
definitely work for a certain

447
00:28:20,600 --> 00:28:23,900
bands.
Like say I know some of the

448
00:28:23,900 --> 00:28:26,700
songs they covered with small
were from.

449
00:28:26,700 --> 00:28:30,300
They were smaller bands that had
just released Songs but then you

450
00:28:30,300 --> 00:28:34,800
have stuff like Katy Perry.
So I'm like Katy Perry need

451
00:28:35,100 --> 00:28:38,900
additional person herself.
No but how many people were

452
00:28:38,900 --> 00:28:40,900
coming to Katy Perry asking to
do covers?

453
00:28:41,700 --> 00:28:43,000
It's fair.
I'm not sure.

454
00:28:43,000 --> 00:28:45,600
I have no idea.
Just think some probably

455
00:28:45,900 --> 00:28:49,300
extremely calculated.
What songs they were choosing to

456
00:28:49,300 --> 00:28:51,000
do.
It wasn't like somebody just had

457
00:28:51,000 --> 00:28:54,200
a deep deep love.
I can't think of the song.

458
00:28:54,300 --> 00:28:56,200
Yeah.
Well I do think it's interesting

459
00:28:56,200 --> 00:28:59,300
because during the show, we
would hear stuff on the right

460
00:28:59,300 --> 00:29:01,300
like a new song would come out
and I feel like we would all

461
00:29:01,300 --> 00:29:02,900
immediately go.
Oh, How do you?

462
00:29:03,100 --> 00:29:05,100
Was this be done in Glee?
And I feel like.

463
00:29:05,100 --> 00:29:07,200
Yeah, exactly.
Yeah.

464
00:29:07,800 --> 00:29:09,500
Literally a song to come out
and, you know, that they were

465
00:29:09,500 --> 00:29:11,700
immediately going to try to
figure out a way to use it.

466
00:29:12,100 --> 00:29:14,800
Yes.
See Hamilton move, dodged, a

467
00:29:14,800 --> 00:29:18,800
bullet, anything, anything else
that stands out with you guys,

468
00:29:18,800 --> 00:29:23,800
for for funk?
I, this might be the cannon

469
00:29:23,800 --> 00:29:28,500
moment of Kurt speaking French.
Yes, so that happens.

470
00:29:29,800 --> 00:29:32,900
That is something worth note
that we, we apologize.

471
00:29:33,000 --> 00:29:38,100
For ranting about Janice hurt.
Speaking French Cannon versus

472
00:29:38,100 --> 00:29:40,100
non-canon.
Well, now we have the moment so

473
00:29:40,100 --> 00:29:46,000
now we can pinpoint it to him
saying one thing the background

474
00:29:46,000 --> 00:29:48,700
of an episode.
But this is where it starts and

475
00:29:48,700 --> 00:29:52,400
and to say, okay, this doesn't
necessarily say explains his

476
00:29:52,400 --> 00:29:59,700
having like Parisian, you know,
levels of French station but at

477
00:29:59,700 --> 00:30:02,900
least something and we don't you
know, everything Cartman.

478
00:30:03,100 --> 00:30:07,900
So once he's immediately an
expert in obviously oh my God,

479
00:30:08,200 --> 00:30:12,000
baking sewing, you know Allah.
You know I think I've read the

480
00:30:12,000 --> 00:30:14,700
FAQ where he both bakes sews and
speaks French.

481
00:30:14,800 --> 00:30:19,200
I feel like you could play a
good game of like thick hunting

482
00:30:19,200 --> 00:30:23,300
bingo with that, it's best.
You could be fun to say that I

483
00:30:23,308 --> 00:30:29,800
don't think the effect is like
an entire sub genres domestic

484
00:30:29,800 --> 00:30:32,000
hurt.
Which by the way, I do not

485
00:30:32,000 --> 00:30:34,900
dislike I do enjoy the most
awesome man.

486
00:30:36,200 --> 00:30:39,800
Yeah, no complaints.
These are just observations.

487
00:30:41,000 --> 00:30:44,500
We've read them all to work.
Let's what I know about them,

488
00:30:44,800 --> 00:30:46,600
but three of them.
That's why we're aware they

489
00:30:46,600 --> 00:30:49,300
exist.
So and frankly, we've written

490
00:30:49,300 --> 00:30:50,600
some now.
Haven't we?

491
00:30:50,700 --> 00:30:57,600
Probably yes.
Accurate lingering thoughts, or,

492
00:30:57,700 --> 00:31:02,400
or complaints for the Elsa?
I mean, like, I feel like most

493
00:31:02,400 --> 00:31:07,000
of my attention, In the episode
was on Sue and shoe in my

494
00:31:07,000 --> 00:31:09,200
attention.
I mean like mental energy

495
00:31:09,200 --> 00:31:13,400
focused on how much I dislike it
kind of dominated everything

496
00:31:13,400 --> 00:31:17,600
else that's budget.
So it was actually like being so

497
00:31:18,900 --> 00:31:23,200
for that reason, it was so out
of character that I'm still mad

498
00:31:23,200 --> 00:31:26,900
about it with her like feeling
bad that she's alone like Sue

499
00:31:26,900 --> 00:31:29,100
Sylvester.
Mary's herself later.

500
00:31:29,100 --> 00:31:31,800
She's never never feels bad that
she's alone because she doesn't

501
00:31:31,800 --> 00:31:34,600
feel alone.
And then I do I hate the Miss

502
00:31:34,600 --> 00:31:38,000
potential of Glee using
characters in ways that aren't

503
00:31:38,000 --> 00:31:43,000
love triangles like yes,
Mercedes and when could have

504
00:31:43,000 --> 00:31:45,600
been, oh yeah, that's been
wanting to do a lot of time.

505
00:31:45,600 --> 00:31:49,200
No look like Rachel Quinn,
Mercedes at that.

506
00:31:49,200 --> 00:31:52,300
Might have been more interesting
than most of what I did.

507
00:31:52,700 --> 00:31:54,700
Yes.
Because it would have been or

508
00:31:55,500 --> 00:31:56,500
no.
I just don't even put that

509
00:31:56,500 --> 00:32:00,800
thought in my brain.
But I don't think I want to.

510
00:32:02,400 --> 00:32:04,500
So walk it right back out, there
were Sadie's.

511
00:32:04,500 --> 00:32:08,100
What I really.
I answer my own question as I

512
00:32:08,100 --> 00:32:11,200
paused, so as we say, is
Mercedes ever in a love triangle

513
00:32:11,500 --> 00:32:13,600
and I said then and yes, yes she
is.

514
00:32:14,300 --> 00:32:17,400
Yeah, but it's not given the
same, you know.

515
00:32:17,500 --> 00:32:22,100
Like they even their half a
story lines if they involve

516
00:32:22,100 --> 00:32:24,500
relationships have to still be
love triangles.

517
00:32:24,600 --> 00:32:26,500
Yeah, Frazier.
Is it a contract?

518
00:32:27,900 --> 00:32:29,400
Yes, probably.
All right.

519
00:32:29,400 --> 00:32:34,300
So then we've got down here
bottom.

520
00:32:34,300 --> 00:32:38,000
I'm pulling up a bit.
So the the songs we've got.

521
00:32:38,400 --> 00:32:40,000
Is there a favorite song you
guys have?

522
00:32:41,600 --> 00:32:45,000
I guess another one bites the
dust by default but like not

523
00:32:45,000 --> 00:32:48,100
really.
Yeah I don't think I have a

524
00:32:48,100 --> 00:32:52,600
favorite song in this episode.
Okay, I really did like Quinn

525
00:32:52,600 --> 00:32:57,500
song that even though I get to
get to here Kurt and and give up

526
00:32:57,500 --> 00:33:03,200
the That's just don't care.
So it's doesn't raise it up and

527
00:33:03,200 --> 00:33:06,800
it doesn't, it doesn't, I will.
I will give a small shout out to

528
00:33:07,500 --> 00:33:13,100
curtain that song but na button
a button there despite it being

529
00:33:14,000 --> 00:33:19,200
Apparently one of their favorite
songs to record and film, which

530
00:33:19,200 --> 00:33:21,700
I think makes sense because they
can just do whatever the hell

531
00:33:21,700 --> 00:33:23,800
they wanted.
Like probably nice.

532
00:33:24,700 --> 00:33:27,400
In the middle of so many like
regimented.

533
00:33:28,300 --> 00:33:29,600
Choreography.
Hmm.

534
00:33:30,200 --> 00:33:34,200
Now what about favorite quote?
Do you guys have something that

535
00:33:34,200 --> 00:33:40,100
stuck out from this episode?
The only thing I wrote down was

536
00:33:40,100 --> 00:33:42,800
Kurt saying, Rachel's one of us,
were the only ones who get to

537
00:33:42,800 --> 00:33:45,300
humiliate her.
That's a good.

538
00:33:46,400 --> 00:33:49,200
I just, you know, it felt it
felt true to character very

539
00:33:49,200 --> 00:33:50,200
true.
I like that.

540
00:33:50,500 --> 00:33:52,800
I didn't really have anything
stuck out to me personally.

541
00:33:52,800 --> 00:33:55,100
So I'm going to say I agree with
you.

542
00:33:55,100 --> 00:33:56,600
I like yours good.
I win.

543
00:33:56,900 --> 00:33:59,700
You win.
That is the It was a, it was a

544
00:34:00,600 --> 00:34:03,200
always, a competition.
There was a competition.

545
00:34:03,700 --> 00:34:05,400
Oh, I didn't tell you what, I
was competing.

546
00:34:07,400 --> 00:34:09,600
Surprise competition for best
float.

547
00:34:11,199 --> 00:34:14,900
I mean, I I feel like a lot
we've been getting you started

548
00:34:14,900 --> 00:34:17,300
saying, hey, A lot happened here
at as and those were digging

549
00:34:17,300 --> 00:34:20,699
into it's sort of like a lot
happened and yet I don't know

550
00:34:20,699 --> 00:34:24,000
what to say about it.
Other than well yeah that's the

551
00:34:24,000 --> 00:34:28,900
problem is a lot happens and
they're still just like so Does

552
00:34:28,900 --> 00:34:32,800
it matter?
Like what happening was a lot of

553
00:34:33,199 --> 00:34:37,199
poorly executed, things that
happened and if they're not

554
00:34:37,199 --> 00:34:39,699
executing these storylines,
well, then you just kind of

555
00:34:39,699 --> 00:34:41,800
shrug at them.
Yes.

556
00:34:42,100 --> 00:34:43,900
Yeah.
Like, all right, so they did

557
00:34:43,900 --> 00:34:47,000
that their scholarships, so
whatever.

558
00:34:47,400 --> 00:34:51,500
Yeah.
You ever hear that about the job

559
00:34:51,500 --> 00:34:53,900
pumpkin pucking fit have later
now.

560
00:34:54,500 --> 00:34:56,500
No, right.
All right, whatever.

561
00:34:57,300 --> 00:34:59,300
I made it up.
That's ultimately, the problem

562
00:34:59,300 --> 00:35:02,700
is that like a thing happened?
But to what point to what end?

563
00:35:02,800 --> 00:35:05,500
Yeah, because you're just not
sure if it's going to come up

564
00:35:05,500 --> 00:35:08,600
again later or if it'll just be
a dangling participle for the

565
00:35:08,600 --> 00:35:12,100
series.
That was that a dangling

566
00:35:12,100 --> 00:35:13,600
participle?
Nice.

567
00:35:13,900 --> 00:35:17,000
Thank you.
I went to college using that

568
00:35:17,000 --> 00:35:19,600
degree for podcasts on the
internet.

569
00:35:19,800 --> 00:35:21,500
Look, man, I paid for this
Masters.

570
00:35:21,500 --> 00:35:23,300
I'm going to use it, I
understand.

571
00:35:27,300 --> 00:35:30,600
Could be smart on the internet.
Yeah.

572
00:35:31,200 --> 00:35:35,100
Well I mean, I don't really I
don't really have much else on

573
00:35:35,100 --> 00:35:37,300
on this episode.
I really it's not as much as I

574
00:35:38,300 --> 00:35:40,100
at one point that I had, it's
fine.

575
00:35:40,100 --> 00:35:43,400
Because next time we're talking
about the season finale so we

576
00:35:43,400 --> 00:35:48,500
made it, we did next.
Next episode is is the is the

577
00:35:48,500 --> 00:35:50,800
end for the season.
Yeah.

578
00:35:51,000 --> 00:35:55,100
And is a reminder that we did.
Make our way through season one.

579
00:35:55,100 --> 00:35:58,100
We did do it.
We did it.

580
00:35:58,100 --> 00:35:59,900
Kids do.
It was made.

581
00:35:59,900 --> 00:36:04,300
It was made aware to me that we
forgot to do a cabin scale on

582
00:36:04,300 --> 00:36:06,300
the last episode.
Yeah, we did.

583
00:36:06,900 --> 00:36:10,600
Which is your soup?
I know and not, not good.

584
00:36:11,100 --> 00:36:14,000
So we need to make sure I do it
for this one.

585
00:36:14,000 --> 00:36:18,100
So, don't we have enough have a
Kevin number for the group this

586
00:36:18,100 --> 00:36:24,900
episode Kevin number?
I mean, it was it was lacking in

587
00:36:24,900 --> 00:36:29,700
Kevin, it was real.
Like he is a point 3 7.

588
00:36:29,700 --> 00:36:33,800
He's he's in that give up the
phone but other than that I

589
00:36:33,808 --> 00:36:36,800
think the lowest we've given is
a point to do.

590
00:36:36,800 --> 00:36:37,700
You want to get that
accomplished?

591
00:36:38,500 --> 00:36:40,500
Huh?
I mean to I guess it's another

592
00:36:40,500 --> 00:36:43,200
.25 Supply quarter, Kevin,
something like that?

593
00:36:43,600 --> 00:36:47,300
Yeah, I feel quarter.
Kevin not never not very high on

594
00:36:47,300 --> 00:36:49,300
the scale.
Oh no.

595
00:36:49,500 --> 00:36:52,600
Which probably explains why we
are unable to, then come up with

596
00:36:52,600 --> 00:36:54,000
anything worthwhile talking
about.

597
00:36:54,500 --> 00:36:58,500
Yeah, then Quality of episode is
directly related to the amount

598
00:36:58,500 --> 00:37:01,700
of Kevin that's is, or isn't in
it accurate.

599
00:37:01,700 --> 00:37:05,800
This is completely accurate.
We use nothing but science here.

600
00:37:05,800 --> 00:37:09,500
What ugly on the Rocks?
Yes, this is a very professional

601
00:37:09,700 --> 00:37:11,500
setting.
We put a lot of time.

602
00:37:11,500 --> 00:37:14,300
Thought into it ahead of time,
totally?

603
00:37:14,900 --> 00:37:16,400
Yeah.
Absolutely.

604
00:37:18,600 --> 00:37:24,400
All right, well then then I'll
call this funk episode complete

605
00:37:24,500 --> 00:37:30,100
and then we'll See everybody
soon for the next episode which

606
00:37:30,100 --> 00:37:35,500
includes this finale and the
recap of the of the season.

607
00:37:35,500 --> 00:37:39,900
And then also what we're looking
forward to next season land.

608
00:37:40,300 --> 00:37:42,800
I have no idea what that might
be like.

609
00:37:42,900 --> 00:37:46,000
Yeah, so that's to be coming
soon.

610
00:37:46,000 --> 00:37:51,000
But yeah, I think that this was
Funk and that's what you are.

611
00:37:51,000 --> 00:38:13,000
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